本征稿意向面向国际比较文学协会（ICLA）「数字比较文学」短期研究委员会框架下的若干期刊专题。比较文学研究与数字人文彼此构成双重且相互丰富的挑战：远读与大规模数字化为文学打开了新视野，但比较研究因其多语性与跨媒介性，仍是数字研究最难攻克的领域之一（计算工具与语料库仍高度以英语为中心、以文本为导向）。本辑欢迎在这一交叉地带、面向比较文学学者读者的来稿。
征稿范围（包括但不限于）：计算与远读方法及其认识论意涵；大型数字档案的建构、使用与政治；后数字时代的书籍与阅读（多模态、数字社会化阅读）；文学数据可视化（网络分析、地图绘制）；电子文学、互动数字叙事与数字故事讲述；机器翻译、语言模型与人工智能（AI）用于文学分析。理论反思、方法论提议与具体个案研究均受欢迎，但须以比较文学学者为预设读者并易于理解。
两种篇幅：短稿不超过 4000 词；长稿不超过 8000 词。提交时请注明拟投篇幅。已确认有多家比较文学期刊有意出版相关专题；经 ICLA-DCL 委员会商议遴选后，录用文章将分配至最契合的刊物。
重要时间节点：2026 年 9 月评审提案并分配刊物；2026 年 9 月底联系作者告知拟投刊物与时间安排；2027 年秋起陆续出版，后续文章视各刊物档期滚动发表。
", "topics": [ "计算与远读方法及其认识论意涵", "大型数字档案的建构、使用与政治", "后数字时代的书籍与阅读（多模态、数字社会化阅读）", "文学数据可视化（网络分析、地图绘制）", "电子文学、互动数字叙事与数字故事讲述", "机器翻译、语言模型与人工智能（AI）用于文学分析" ], "guestEditor": [], "submission": "提交不超过 500 词的摘要，附不超过 150 词的个人简介，发送至 Federico Pianzola（f.pianzola@rug.nl）与 Samya Brata Roy（sroy4@gitam.edu）", "submissionUrl": "mailto:f.pianzola@rug.nl", "website": "", "englishOriginal": "Call for Expressions of Interest\nSpecial Issues of Digital Comparative Literature\n\nWe are seeking articles for a number of special issues within the framework of the International Comparative Literature Association (ICLA) Short-term Research Committee on Digital Comparative Literature (DCL).\n\nComparative Literary Studies and Digital Humanities pose a double, mutually enriching challenge to one another. Distant reading and large-scale digitization have opened new perspectives on literature, yet comparative work remains among the hardest terrains for digital research, not least because of multilingualism and intermediality, since computational tools and corpora are still overwhelmingly English-centric and text-focused. This collection invites contributions that work at this intersection and that speak to a readership of comparative literature scholars.\n\nWe welcome proposals addressing any aspect of digital comparative literature, including but not limited to:\n- computational and distant reading methods and their epistemological stakes\n- the construction, use, and politics of large digital archives\n- books and reading in a postdigital context (multimodality, digital social reading)\n- data visualization for literary analysis (network analysis, mapping)\n- electronic literature, interactive digital narrative, digital storytelling\n- machine translation, language models, and artificial intelligence (AI) for literary analysis\n\nTheoretical reflections, methodological proposals, and concrete case studies are all welcome, provided they are framed for and accessible to comparative literature scholars.\n\nWe have confirmed interest from a few comparative literature journals for the publication of special issues. A selection of the proposals received will be made — in consultation with the ICLA-DCL committee — and accepted articles will be assigned to the best-fitting venue, with a concrete proposal then made to each author.\n\nTwo article formats: Short articles: max. 4,000 words. Long articles: max. 8,000 words. Please indicate your intended format in your submission.\n\nHow to express interest: Submit an abstract of up to 500 words together with a short biographical note (max. 150 words) to Federico Pianzola (f.pianzola@rug.nl) and Samya Brata Roy (sroy4@gitam.edu). Deadline: 7 September 2026.\n\nIndicative timeline: September 2026: review of proposals and assignment to venues; Late September 2026: authors contacted with a proposed venue and timeline; From Autumn 2027 onwards: first publications, with subsequent articles appearing on a rolling basis depending on each venue's schedule. Preliminary inquiries: Federico Pianzola (f.pianzola@rug.nl).", "englishHtml": "Call for Expressions of Interest
Special Issues of Digital Comparative Literature
We are seeking articles for a number of special issues within the framework of the International Comparative Literature Association (ICLA) Short-term Research Committee on Digital Comparative Literature (DCL).
Comparative Literary Studies and Digital Humanities pose a double, mutually enriching challenge to one another. Distant reading and large-scale digitization have opened new perspectives on literature, yet comparative work remains among the hardest terrains for digital research, not least because of multilingualism and intermediality, since computational tools and corpora are still overwhelmingly English-centric and text-focused. This collection invites contributions that work at this intersection and that speak to a readership of comparative literature scholars.
We welcome proposals addressing any aspect of digital comparative literature, including but not limited to:
Theoretical reflections, methodological proposals, and concrete case studies are all welcome, provided they are framed for and accessible to comparative literature scholars.
We have confirmed interest from a few comparative literature journals for the publication of special issues. A selection of the proposals received will be made — in consultation with the ICLA-DCL committee — and accepted articles will be assigned to the best-fitting venue, with a concrete proposal then made to each author.
Two article formats: Short articles: max. 4,000 words. Long articles: max. 8,000 words. Please indicate your intended format in your submission.
How to express interest: Submit an abstract of up to 500 words together with a short biographical note (max. 150 words) to Federico Pianzola (f.pianzola@rug.nl) and Samya Brata Roy (sroy4@gitam.edu). Deadline: 7 September 2026.
Indicative timeline: September 2026: review of proposals and assignment to venues; Late September 2026: authors contacted with a proposed venue and timeline; From Autumn 2027 onwards: first publications, with subsequent articles appearing on a rolling basis depending on each venue's schedule. Preliminary inquiries: Federico Pianzola (f.pianzola@rug.nl).
", "showEnglish": true, "published": true }, { "id": "cms9zr5z4sdvq", "title": "「数字在场时代的物质性重思」专题征文（第31期）", "journalName": "《INTERFACE》", "journalType": "普刊", "region": "国外", "host": "《INTERFACE》国际期刊（中国台湾）", "category": "文化研究 / 文学", "issn": "", "issue": "第31期（2026年12月）「数字在场时代的物质性重思」", "deadline": "2026-10-30T16:00:00.000Z", "plannedPublish": "2026-11-30T16:00:00.000Z", "cover": "", "summary": "", "description": "本专题（第31期，2026年12月）以「数字在场时代的物质性重思」为主题。过去二十年，物质性概念在人文学科中经历深刻转型：新唯物主义、后人类主义与对象导向本体论等路径强调有生命与无生命物质的活力、能动性与关系性，挑战了人类中心的思想模式。然而，人工智能、虚拟环境与数字中介关系的兴起，又对当代生活中物质的地位提出新问题——数字技术看似将人的经验从物理在场中抽离，却仍深植于物质基础设施、具身实践与情感关系之中。\n\n本专题欢迎来自文学研究、历史学、哲学、文化研究、媒介研究、人类学、艺术史等相关领域的跨学科来稿，既可探讨物质性在不同历史时期与文化语境中的想象、经验、表征与转化，也欢迎与本期专题无关、将发表于「一般主题」栏目的稿件。", "descriptionHtml": "本专题（第31期，2026年12月）以「数字在场时代的物质性重思」为主题。过去二十年，物质性概念在人文学科中经历深刻转型：新唯物主义、后人类主义与对象导向本体论等路径强调有生命与无生命物质的活力、能动性与关系性，挑战了人类中心的思想模式。然而，人工智能、虚拟环境与数字中介关系的兴起，又对当代生活中物质的地位提出新问题——数字技术看似将人的经验从物理在场中抽离，却仍深植于物质基础设施、具身实践与情感关系之中。
本专题欢迎来自文学研究、历史学、哲学、文化研究、媒介研究、人类学、艺术史等相关领域的跨学科来稿，既可探讨物质性在不同历史时期与文化语境中的想象、经验、表征与转化，也欢迎与本期专题无关、将发表于「一般主题」栏目的稿件。
", "topics": [ "文学、历史与哲学中的物质性基础", "物质概念的历史嬗变与跨文化流通", "手写作为具身表达与自我的物质痕迹", "物质实践、技术与亲密关系", "文化表征与想象中的物质性" ], "guestEditor": [ "Pawel Piszczatowski-华沙大学", "Helga Müllneritsch-台湾大学" ], "submission": "请于 2026-10-31 前在 http://interface.org.tw/ 在线提交，须附不超过 250 词的摘要", "submissionUrl": "http://interface.org.tw/", "website": "http://interface.org.tw/", "englishOriginal": "Call for Papers for Issue 31 (December 2026)\nSubmission Deadline: October 31, 2026\nGuest Editors: Paweł Piszczatowski (University of Warsaw); Helga Müllneritsch (National Taiwan University)\nRethinking Materiality in an Age of Digital Presence\n\nOver the past two decades, the concept of materiality has undergone a profound transformation across the humanities. Approaches such as New Materialism, Posthumanism, and Object-Oriented Ontology have challenged anthropocentric models of thought by emphasizing the vitality, agency, and relationality of both living and non-living matter. The emergence of artificial intelligence, virtual environments, and digitally mediated relationships raises new questions about the status of the material in contemporary life.\n\nThis special issue seeks to explore how materiality has been imagined, experienced, represented, and transformed across different historical periods and cultural contexts. We welcome interdisciplinary contributions from literary studies, history, philosophy, cultural studies, media studies, anthropology, art history, and related fields.\n\nPossible topics include, but are not limited to:\n- Philosophical approaches to being, matter, embodiment, and the material world\n- Historical transformations of concepts of materiality across cultures\n- Handwriting as a form of embodied expression and the material trace of the self\n- Material practices, technology, and intimacy\n- Ethical questions surrounding AI-human interaction; artificial intelligence, emotional attachment, and new forms of intimacy\n- Cultural representations and imaginaries of human and non-human agency\n\nINTERFACE also invites papers not related to the Special Topic which will be published in a dedicated General Topic Section. Papers should be submitted online at http://interface.org.tw/ no later than October 31, 2026; and should include an abstract of no more than 250 words. All potential authors should consult our website for Author Guidelines.", "englishHtml": "Call for Papers for Issue 31 (December 2026)
Submission Deadline: October 31, 2026
Guest Editors: Paweł Piszczatowski (University of Warsaw); Helga Müllneritsch (National Taiwan University)
Rethinking Materiality in an Age of Digital Presence
Over the past two decades, the concept of materiality has undergone a profound transformation across the humanities. Approaches such as New Materialism, Posthumanism, and Object-Oriented Ontology have challenged anthropocentric models of thought by emphasizing the vitality, agency, and relationality of both living and non-living matter. The emergence of artificial intelligence, virtual environments, and digitally mediated relationships raises new questions about the status of the material in contemporary life.
This special issue seeks to explore how materiality has been imagined, experienced, represented, and transformed across different historical periods and cultural contexts. We welcome interdisciplinary contributions from literary studies, history, philosophy, cultural studies, media studies, anthropology, art history, and related fields.
Possible topics include, but are not limited to:
INTERFACE also invites papers not related to the Special Topic which will be published in a dedicated General Topic Section. Papers should be submitted online at http://interface.org.tw/ no later than October 31, 2026; and should include an abstract of no more than 250 words. All potential authors should consult our website for Author Guidelines.
", "showEnglish": true, "published": true }, { "id": "cms9zr5zbkkqr", "title": "「早期大众视觉文化」专题：数字方法、人工智能与默片研究", "journalName": "《Early Popular Visual Culture》", "journalType": "国外AHCI", "region": "国外", "host": "（伦敦玛丽女王大学）专题主持 Adelheid Heftberger、Mario Slugan", "category": "电影研究 / 媒介", "issn": "", "issue": "第25卷第3期（预计2027年底）", "deadline": "2026-11-29T16:00:00.000Z", "plannedPublish": "2027-11-30T16:00:00.000Z", "cover": "", "summary": "", "description": "本专题（预计2027年底，第25卷第3期）探讨数字方法与人工智能（AI）对默片研究既有及未来的影响。图书馆、英国电影协会、德国联邦档案馆、EYE 电影博物馆等机构提供的早期影像档案在线访问，以及 Media History Digital Library、Women Film Pioneers 等平台，已重塑电影史学；与此同时，电影计量（cinemetrics）、VIAN 色彩分析、CLARIAH Media Suite、远读与风格计量、大语言模型等工具层出不穷。本专题旨在汇聚电影研究、数字人文、媒介考古与计算机科学学者，促成跨学科对话与批判性反思，将数字方法与 AI 视为拓展研究疆域、同时提出新理论与方法论问题的补充性工具，而非既有方法的替代。\n\n欢迎个案研究以及理论与方法论介入，主题包括但不限于：默片档案的数字化、元数据与平台化；电影计量、数据可视化与早期电影风格的量化研究；数字史学与默片文化的重构；AI 与计算机视觉分析默片美学与表演；数字方法、AI 与种族、性别及全球电影史的交叉；AI 在历史电影研究中的伦理、认识论与方法论批判。\n\n**重要日期**：摘要截止 2026 年 8 月 3 日；录用通知 2026 年 8 月 10 日；全文截止 2026 年 11 月 30 日。", "descriptionHtml": "本专题（预计2027年底，第25卷第3期）探讨数字方法与人工智能（AI）对默片研究既有及未来的影响。图书馆、英国电影协会、德国联邦档案馆、EYE 电影博物馆等机构提供的早期影像档案在线访问，以及 Media History Digital Library、Women Film Pioneers 等平台，已重塑电影史学；与此同时，电影计量（cinemetrics）、VIAN 色彩分析、CLARIAH Media Suite、远读与风格计量、大语言模型等工具层出不穷。本专题旨在汇聚电影研究、数字人文、媒介考古与计算机科学学者，促成跨学科对话与批判性反思，将数字方法与 AI 视为拓展研究疆域、同时提出新理论与方法论问题的补充性工具，而非既有方法的替代。
欢迎个案研究以及理论与方法论介入，主题包括但不限于：默片档案的数字化、元数据与平台化；电影计量、数据可视化与早期电影风格的量化研究；数字史学与默片文化的重构；AI 与计算机视觉分析默片美学与表演；数字方法、AI 与种族、性别及全球电影史的交叉；AI 在历史电影研究中的伦理、认识论与方法论批判。
重要日期：摘要截止 2026 年 8 月 3 日；录用通知 2026 年 8 月 10 日；全文截止 2026 年 11 月 30 日。
", "topics": [ "默片档案的数字化、元数据与平台化", "电影计量、数据可视化与早期电影风格的量化研究", "数字史学与默片文化的重构", "AI 与计算机视觉分析默片美学与表演", "数字方法、AI 与种族、性别及全球电影史的交叉", "AI 在历史电影研究中的伦理、认识论与方法论批判" ], "guestEditor": [ "Adelheid Heftberger", "Mario Slugan-伦敦玛丽女王大学" ], "submission": "先提交约 300 词摘要（附标题、至多5条参考文献、简介与联系方式）至 m.slugan@qmul.ac.uk 初审；录用全文 5000–8000 词，经编辑与双盲同行评审", "submissionUrl": "mailto:m.slugan@qmul.ac.uk", "website": "", "englishOriginal": "CfP for Special Issue of Early Popular Visual Culture — Digital Methods, Artificial Intelligence, and the Study of Silent Cinema. Guest edited by Adelheid Heftberger and Mario Slugan.\n\nThe importance of digitization and the introduction of digital databases for the study of silent cinema can hardly be overstated. Institutions like Library of Congress, British Film Institute, Bundesarchiv, and EYE Filmmuseum have provided unparalleled online access to their early motion pictures archives opening new critical perspectives. Platforms such as Media History Digital Library and Women Film Pioneers have reshaped historiography by providing representative data and foregrounding previously marginalized figures and networks.\n\nThere has also been a growing interest in the development of digital tools and methods in film studies: tools for automating audiovisual analysis such as cinemetrics and Lignes des Temps for editing, VIAN for colour, CLARIAH Media suite for segmentation and annotation, and TIV-AV-Analytics for AI-assisted general audiovisual analysis have been pioneered; distant reading and stylometrics have been used to analyse film dialogues and scripts; distant viewing methods have been proposed; and Large Language Models have been deployed in film review sentiment analysis.\n\nResponding to these developments and with an eye on the potential of artificial intelligence (AI) tools, this special issue of Early Popular Visual Culture proposes to examine the existing and the future impact of digital methods and AI on the study of silent cinema. Rather than positioning digital methods and AI as a replacement for established approaches, we emphasize their role as complementary tools that expand the scope of inquiry while raising new theoretical and methodological questions.\n\nWe invite case studies as well as theoretical and methodological interventions. We seek contribution which tackle, but are not limited to: Archival digitization, metadata, and platformization of silent film collections; Cinemetrics, data visualization, and quantitative approaches to early film style; Digital historiography and the reconstruction of silent cinema cultures; AI and computer vision in the analysis of silent film aesthetics and performance; Intersections of digital methods and AI with race, gender, and global film history; Ethical, epistemological, and methodological critiques of AI in historical film studies.\n\nThe Special Issue of Early Popular Visual Culture is scheduled for publication in late 2027 (Volume 25, Issue 3). Please send abstracts of around 300 words, together with the title, up to 5 references, a short bio, contact details and institutional affiliation to m.slugan@qmul.ac.uk for initial selection. Selected articles should typically be 5000-8000 words in length. They will undergo an editorial and double-blind peer reviewed process before final acceptance. Deadlines for abstracts: Monday, 3 August 2026. Notifications of acceptance: Monday, 10 August 2026. Deadlines for full articles: Monday, 30 November 2026.", "englishHtml": "CfP for Special Issue of Early Popular Visual Culture — Digital Methods, Artificial Intelligence, and the Study of Silent Cinema. Guest edited by Adelheid Heftberger and Mario Slugan.
The importance of digitization and the introduction of digital databases for the study of silent cinema can hardly be overstated. Institutions like Library of Congress, British Film Institute, Bundesarchiv, and EYE Filmmuseum have provided unparalleled online access to their early motion pictures archives opening new critical perspectives. Platforms such as Media History Digital Library and Women Film Pioneers have reshaped historiography by providing representative data and foregrounding previously marginalized figures and networks.
There has also been a growing interest in the development of digital tools and methods in film studies: tools for automating audiovisual analysis such as cinemetrics and Lignes des Temps for editing, VIAN for colour, CLARIAH Media suite for segmentation and annotation, and TIV-AV-Analytics for AI-assisted general audiovisual analysis have been pioneered; distant reading and stylometrics have been used to analyse film dialogues and scripts; distant viewing methods have been proposed; and Large Language Models have been deployed in film review sentiment analysis.
Responding to these developments and with an eye on the potential of artificial intelligence (AI) tools, this special issue of Early Popular Visual Culture proposes to examine the existing and the future impact of digital methods and AI on the study of silent cinema. Rather than positioning digital methods and AI as a replacement for established approaches, we emphasize their role as complementary tools that expand the scope of inquiry while raising new theoretical and methodological questions.
We invite case studies as well as theoretical and methodological interventions. We seek contribution which tackle, but are not limited to: Archival digitization, metadata, and platformization of silent film collections; Cinemetrics, data visualization, and quantitative approaches to early film style; Digital historiography and the reconstruction of silent cinema cultures; AI and computer vision in the analysis of silent film aesthetics and performance; Intersections of digital methods and AI with race, gender, and global film history; Ethical, epistemological, and methodological critiques of AI in historical film studies.
The Special Issue of Early Popular Visual Culture is scheduled for publication in late 2027 (Volume 25, Issue 3). Please send abstracts of around 300 words, together with the title, up to 5 references, a short bio, contact details and institutional affiliation to m.slugan@qmul.ac.uk for initial selection. Selected articles should typically be 5000-8000 words in length. They will undergo an editorial and double-blind peer reviewed process before final acceptance. Deadlines for abstracts: Monday, 3 August 2026. Notifications of acceptance: Monday, 10 August 2026. Deadlines for full articles: Monday, 30 November 2026.
", "showEnglish": true, "published": true }, { "id": "cms9zr5zhhi6t", "title": "「技术作为语言？——语言观念的过度延展」专题征文", "journalName": "《Technology and Language》", "journalType": "普刊", "region": "国外", "host": "圣彼得堡国立理工大学 / 达姆施塔特工业大学", "category": "语言哲学 / 符号学", "issn": "", "issue": "季度刊（新一期征稿「Overstretching the Idea of Language?」）", "deadline": "2027-07-04T16:00:00.000Z", "plannedPublish": "2027-08-31T16:00:00.000Z", "cover": "", "summary": "", "description": "《Technology and Language》是一份国际性、同行评审、Scopus 收录的季度开源期刊（无版面费）。本辑新征稿「技术作为语言？——语言观念的过度延展」提出一个颇具挑衅性的大问题：当谈及音乐的语言、或把技术称为「物的语言」时，「语言」是否仅被隐喻地使用？这一问题关乎语言哲学、语言学与符号学、人类学与文论、艺术与技术史、传播科学与传播技术。\n\n在概念泛滥的时代，我们轻易将「智能」赋予机器、树木与章鱼，也必须严谨地追问是否同样在稀释「语言」的概念。成熟的语言需要句法、语义与语用，尤其需要「移位」能力（动物互发信号，唯人类语言能指涉过去或仅属假设的不在之物）。我们期待围绕这些问题展开激烈辩论与详实个案研究，也期待来自不同文化与传统的古代、现代与后现代思想者——神秘主义者、分析哲学家与语言学家——的声音。\n\n**其他开放征稿**（简）：「Theatrum Machinarium」（截止 2026-10-05）；「Natality: Technologies and Languages of Birth and Becoming」（截止 2027-04-05）。此外，关于技术与语言交叉的投稿论文与跨学科探索随时欢迎。", "descriptionHtml": "《Technology and Language》是一份国际性、同行评审、Scopus 收录的季度开源期刊（无版面费）。本辑新征稿「技术作为语言？——语言观念的过度延展」提出一个颇具挑衅性的大问题：当谈及音乐的语言、或把技术称为「物的语言」时，「语言」是否仅被隐喻地使用？这一问题关乎语言哲学、语言学与符号学、人类学与文论、艺术与技术史、传播科学与传播技术。
在概念泛滥的时代，我们轻易将「智能」赋予机器、树木与章鱼，也必须严谨地追问是否同样在稀释「语言」的概念。成熟的语言需要句法、语义与语用，尤其需要「移位」能力（动物互发信号，唯人类语言能指涉过去或仅属假设的不在之物）。我们期待围绕这些问题展开激烈辩论与详实个案研究，也期待来自不同文化与传统的古代、现代与后现代思想者——神秘主义者、分析哲学家与语言学家——的声音。
其他开放征稿（简）：「Theatrum Machinarium」（截止 2026-10-05）；「Natality: Technologies and Languages of Birth and Becoming」（截止 2027-04-05）。此外，关于技术与语言交叉的投稿论文与跨学科探索随时欢迎。
", "topics": [ "语言哲学（语言的本质与边界）", "语言学与符号学", "人类学与文论", "艺术与技术史、传播科学与传播技术" ], "guestEditor": [], "submission": "投稿与咨询请发送至 soctech@spbstu.ru，或 Daria Bylieva（bylieva_ds@spbstu.ru）、Alfred Nordmann（nordmann@phil.tu-darmstadt.de）", "submissionUrl": "mailto:soctech@spbstu.ru", "website": "https://soctech.spbstu.ru/en/issue/23/", "englishOriginal": "CFP Technology & Language: Overstretching the Idea of Language?\n\nAnother issue of \"Technology and Language\" has appeared, and with it a new call for contributions that takes on the big question, perhaps provocation, that is posed by this journal. It concerns the very idea of language and how far it can be stretched beyond spoken and written natural language. Is \"language\" used only metaphorically when one speaks of musical language or technology as a language of things? This is a question for the philosophy of language, for linguistics and semiotics, for anthropology and cultural studies, for history and philosophy of art and technology, for communication science and technologies.\n\nThis is the new CALL FOR CONTRIBUTIONS \"Overstretching the Idea of Language?\" (deadline July 5, 2027): The title of the journal \"Technology and Language\" becomes deeply provocative when it suggests the possibility of \"Technology as Language\": do the flashes, beeps, and algorithmic outputs of a machine really constitute a language? A full-fledged language requires syntax, semantics, and pragmatics, and crucially, the capacity for displacement. We are hoping for a vigorous debate on these questions, including detailed case studies, and to hear what pre-modern, modern, and post-modern thinkers from different cultures and traditions have said about this.\n\nOther open calls (shortened): \"Theatrum Machinarium\" (deadline: Oct 5, 2026); \"Natality: Technologies and Languages of Birth and Becoming\" (deadline: April 5, 2027). Beyond these calls for special topics, submitted papers and interdisciplinary explorations at the interface of technology and language are always welcome and can be submitted at any time.\n\n\"Technology and Language\" is a quarterly journal: international, peer reviewed, Scopus listed, online, open access, academic (no fees). Queries, suggestions, and submissions can be addressed to soctech@spbstu.ru or to Daria Bylieva (bylieva_ds@spbstu.ru) and Alfred Nordmann (nordmann@phil.tu-darmstadt.de).", "englishHtml": "CFP Technology & Language: Overstretching the Idea of Language?
Another issue of \"Technology and Language\" has appeared, and with it a new call for contributions that takes on the big question, perhaps provocation, that is posed by this journal. It concerns the very idea of language and how far it can be stretched beyond spoken and written natural language. Is \"language\" used only metaphorically when one speaks of musical language or technology as a language of things? This is a question for the philosophy of language, for linguistics and semiotics, for anthropology and cultural studies, for history and philosophy of art and technology, for communication science and technologies.
This is the new CALL FOR CONTRIBUTIONS \"Overstretching the Idea of Language?\" (deadline July 5, 2027): The title of the journal \"Technology and Language\" becomes deeply provocative when it suggests the possibility of \"Technology as Language\": do the flashes, beeps, and algorithmic outputs of a machine really constitute a language? A full-fledged language requires syntax, semantics, and pragmatics, and crucially, the capacity for displacement. We are hoping for a vigorous debate on these questions, including detailed case studies, and to hear what pre-modern, modern, and post-modern thinkers from different cultures and traditions have said about this.
Other open calls (shortened): \"Theatrum Machinarium\" (deadline: Oct 5, 2026); \"Natality: Technologies and Languages of Birth and Becoming\" (deadline: April 5, 2027). Beyond these calls for special topics, submitted papers and interdisciplinary explorations at the interface of technology and language are always welcome and can be submitted at any time.
\"Technology and Language\" is a quarterly journal: international, peer reviewed, Scopus listed, online, open access, academic (no fees). Queries, suggestions, and submissions can be addressed to soctech@spbstu.ru or to Daria Bylieva (bylieva_ds@spbstu.ru) and Alfred Nordmann (nordmann@phil.tu-darmstadt.de).
", "showEnglish": true, "published": true }, { "id": "cms9zr5znob9c", "title": "「城市死亡地景：媒介、死亡空间与当代城市」专题征文", "journalName": "《Mediapolis – A Journal of Cities and Culture》", "journalType": "普刊", "region": "国外", "host": "（新里斯本大学）专题主持 Susana Viegas", "category": "城市研究 / 媒介", "issn": "", "issue": "第11卷第3期", "deadline": "2026-10-31T16:00:00.000Z", "plannedPublish": "2026-12-31T16:00:00.000Z", "cover": "", "summary": "", "description": "本专题（第11卷第3期）探讨媒介如何介入城市中的死亡地景（deathscapes）。每座城市都必须安顿逝者：公墓、火葬场、纪念公园、路侧神龛、临时纪念碑等往往被忽视的城市肌理层面，折射出社会如何协商记忆、生态、宗教、政治与日常生活。电影、摄影、电视、数字媒体、电子游戏与社交媒体不仅再现城市死亡地景，也塑造着人们经验、想象与转化它们的方式。\n\n欢迎来自电影与媒介研究、城市研究、地理学、建筑学、人类学、死亡研究、环境人文学、记忆研究等领域的来稿。主题包括但不限于：死亡空间中的居住、日常与社群；朝圣、城市漫步与穿越城市死亡地景的旅行；殖民公墓、军事公墓、争议纪念物与无名墓；绿色殡葬、生物多样性与生态转型；电影、摄影、电视、数字媒体与电子游戏中的城市死亡地景表征；遗产、废墟、考古、记忆与多重城市过去的共存。\n\n**重要日期**：摘要与简介截止 2026 年 9 月 10 日；录用全文（不超过 3000 词）截止 2026 年 11 月 1 日，经匿名同行评审。", "descriptionHtml": "本专题（第11卷第3期）探讨媒介如何介入城市中的死亡地景（deathscapes）。每座城市都必须安顿逝者：公墓、火葬场、纪念公园、路侧神龛、临时纪念碑等往往被忽视的城市肌理层面，折射出社会如何协商记忆、生态、宗教、政治与日常生活。电影、摄影、电视、数字媒体、电子游戏与社交媒体不仅再现城市死亡地景，也塑造着人们经验、想象与转化它们的方式。
欢迎来自电影与媒介研究、城市研究、地理学、建筑学、人类学、死亡研究、环境人文学、记忆研究等领域的来稿。主题包括但不限于：死亡空间中的居住、日常与社群；朝圣、城市漫步与穿越城市死亡地景的旅行；殖民公墓、军事公墓、争议纪念物与无名墓；绿色殡葬、生物多样性与生态转型；电影、摄影、电视、数字媒体与电子游戏中的城市死亡地景表征；遗产、废墟、考古、记忆与多重城市过去的共存。
重要日期：摘要与简介截止 2026 年 9 月 10 日；录用全文（不超过 3000 词）截止 2026 年 11 月 1 日，经匿名同行评审。
", "topics": [ "死亡空间中的居住、日常与社群", "朝圣、城市漫步与穿越城市死亡地景的旅行", "殖民公墓、军事公墓、争议纪念物与无名墓", "绿色殡葬、生物多样性与生态转型", "电影、摄影、电视、数字媒体与电子游戏中的城市死亡地景表征", "遗产、废墟、考古、记忆与多重城市过去的共存" ], "guestEditor": [ "Susana Viegas" ], "submission": "请于 2026-09-10 前提交不超过 300 词摘要及不超过 100 词简介至 filmdeath@fcsh.unl.pt；录用全文不超过 3000 词（含参考文献，采芝加哥手册注释-书目体例），2026-11-01 提交，经匿名评审", "submissionUrl": "mailto:filmdeath@fcsh.unl.pt", "website": "", "englishOriginal": "CfP: Mediapolis - A Journal of Cities and Culture. Themed Dossier on \"Urban Deathscapes: Media, Spaces of Death, and the Contemporary City\" (Vol. 11, No. 3), edited by Susana Viegas.\n\nEvery city must negotiate the place of its dead. Cemeteries, crematoria, memorial parks, roadside shrines, temporary memorials, and other deathscapes form an often-overlooked layer of the urban fabric, revealing how societies negotiate memory, ecology, religion, politics, and everyday life. Media reveal the many ways in which spaces of the dead participate in the social, cultural, and political life of cities. Documentary and fiction films, photography, television, digital media, video games, and social media not only represent urban deathscapes but also influence how they are experienced, imagined, and transformed.\n\nThis dossier seeks contributions that examine how media engage with urban deathscapes across historical and contemporary contexts. We welcome contributions from scholars working across film and media studies, urban studies, geography, architecture, anthropology, death studies, environmental humanities, memory studies, and related fields.\n\nPossible topics include, but are not limited to: Housing, everyday life, and communities in spaces of the dead; Tourism, pilgrimage, walking, and travel through urban deathscapes; Colonial cemeteries, military cemeteries, contested memorials, and unmarked graves; Green burial, biodiversity, and environmental transformations; Representations of urban deathscapes in cinema, photography, television, digital media, and video games; Heritage, ruins, archaeology, memory, and the coexistence of multiple urban pasts.\n\nPlease submit an abstract (maximum 300 words) and a short biography (maximum 100 words) to Susana Viegas (filmdeath@fcsh.unl.pt) by 10 September 2026. Authors will be notified shortly after the deadline. Full articles (maximum 3,000 words, including references following the Chicago Manual of Style, notes and bibliography system) will be due 1 November 2026 and will undergo anonymous peer review.", "englishHtml": "CfP: Mediapolis - A Journal of Cities and Culture. Themed Dossier on \"Urban Deathscapes: Media, Spaces of Death, and the Contemporary City\" (Vol. 11, No. 3), edited by Susana Viegas.
Every city must negotiate the place of its dead. Cemeteries, crematoria, memorial parks, roadside shrines, temporary memorials, and other deathscapes form an often-overlooked layer of the urban fabric, revealing how societies negotiate memory, ecology, religion, politics, and everyday life. Media reveal the many ways in which spaces of the dead participate in the social, cultural, and political life of cities. Documentary and fiction films, photography, television, digital media, video games, and social media not only represent urban deathscapes but also influence how they are experienced, imagined, and transformed.
This dossier seeks contributions that examine how media engage with urban deathscapes across historical and contemporary contexts. We welcome contributions from scholars working across film and media studies, urban studies, geography, architecture, anthropology, death studies, environmental humanities, memory studies, and related fields.
Possible topics include, but are not limited to: Housing, everyday life, and communities in spaces of the dead; Tourism, pilgrimage, walking, and travel through urban deathscapes; Colonial cemeteries, military cemeteries, contested memorials, and unmarked graves; Green burial, biodiversity, and environmental transformations; Representations of urban deathscapes in cinema, photography, television, digital media, and video games; Heritage, ruins, archaeology, memory, and the coexistence of multiple urban pasts.
Please submit an abstract (maximum 300 words) and a short biography (maximum 100 words) to Susana Viegas (filmdeath@fcsh.unl.pt) by 10 September 2026. Authors will be notified shortly after the deadline. Full articles (maximum 3,000 words, including references following the Chicago Manual of Style, notes and bibliography system) will be due 1 November 2026 and will undergo anonymous peer review.
", "showEnglish": true, "published": true }, { "id": "cmsa3i8g7uyzl", "title": "「真相成疑：文学、叙事与认知的政治」专题征稿（dialog 第48期）", "journalName": "《dialog》第48期专题", "journalType": "普刊", "region": "国外", "host": "印度旁遮普大学（Panjab University, Chandigarh）英语与文化研究系", "category": "文学 / 文化研究", "issn": "0975-4881", "issue": "第48期专题（半年刊，双盲同行评审，2026年12月出版）", "deadline": "2026-10-14T16:00:00.000Z", "plannedPublish": "2026-11-30T16:00:00.000Z", "cover": "", "summary": "", "description": "《dialog》是印度旁遮普大学（Panjab University, Chandigarh）英语与文化研究系主办、经过完整同行评审的半年刊国际期刊，致力于为文学、文化与批判理论的交叉研究提供论坛。本期第48期专题「真相成疑：文学、叙事与认知的政治」（Truth in Question: Literature, Narrative, and the Politics of Knowing）现公开征稿。\n\n在当代世界，真相问题重新变得紧迫：虚假信息泛滥、AI 生成文本、算法中介的知识、被争夺的历史、阴谋文化与相互竞争的叙事，共同改变了真相被生产、传播与阐释的条件。这些发展并未宣告真相的消失，而是促使我们重新思考文学如何参与真相的制造、质疑与伦理协商。本专题受哲学与文学传统的启发——保罗·利科（Paul Ricœur）把叙事视为配置经验的方式、福柯（Foucault）的「真理政体」、德里达（Derrida）对见证与档案的反思、阿伦特（Arendt）对事实真相与政治意见的分辨——把真相理解为一场充满争议的阐释过程，而非固定的占有物。\n\n征稿范围（包括但不限于）：真相、虚构与叙事；见证、作证与生命书写；记忆研究与争议历史；历史小说与后设历史虚构；档案、文献与记忆政治；虚假信息、后真相文化与数字媒体；AI 生成文本、作者身份与真实性；叙事可靠性与不可靠叙事；文学、伦理与真理哲学；翻译、阐释与认知中介；文化记忆与集体遗忘；创伤、沉默与再现的限度；纪实文学与纪实美学；阅读、阐释与知识政治。本专题亦欢迎原创诗歌、译文、摄影随笔与书评。\n\n投稿须知：学术论文 4000–6000 词（最少 12 页、最多 20 页）；须用 12 号 Times New Roman，按 MLA 手册（第9版）格式排版；作者须于 2026 年 10 月 15 日或之前，将论文连同约 250 词摘要与 50 词个人简介发送至 editordialog@pu.ac.in；论文须为原创且未发表，不接受同时投稿。作者须提交原创性声明。", "descriptionHtml": "《dialog》是印度旁遮普大学（Panjab University, Chandigarh）英语与文化研究系主办、经过完整同行评审的半年刊国际期刊，致力于为文学、文化与批判理论的交叉研究提供论坛。本期第48期专题「真相成疑：文学、叙事与认知的政治」（Truth in Question: Literature, Narrative, and the Politics of Knowing）现公开征稿。
在当代世界，真相问题重新变得紧迫：虚假信息泛滥、AI 生成文本、算法中介的知识、被争夺的历史、阴谋文化与相互竞争的叙事，共同改变了真相被生产、传播与阐释的条件。这些发展并未宣告真相的消失，而是促使我们重新思考文学如何参与真相的制造、质疑与伦理协商。本专题受哲学与文学传统的启发——保罗·利科（Paul Ricœur）把叙事视为配置经验的方式、福柯（Foucault）的「真理政体」、德里达（Derrida）对见证与档案的反思、阿伦特（Arendt）对事实真相与政治意见的分辨——把真相理解为一场充满争议的阐释过程，而非固定的占有物。
征稿范围（包括但不限于）：真相、虚构与叙事；见证、作证与生命书写；记忆研究与争议历史；历史小说与后设历史虚构；档案、文献与记忆政治；虚假信息、后真相文化与数字媒体；AI 生成文本、作者身份与真实性；叙事可靠性与不可靠叙事；文学、伦理与真理哲学；翻译、阐释与认知中介；文化记忆与集体遗忘；创伤、沉默与再现的限度；纪实文学与纪实美学；阅读、阐释与知识政治。本专题亦欢迎原创诗歌、译文、摄影随笔与书评。
投稿须知：学术论文 4000–6000 词（最少 12 页、最多 20 页）；须用 12 号 Times New Roman，按 MLA 手册（第9版）格式排版；作者须于 2026 年 10 月 15 日或之前，将论文连同约 250 词摘要与 50 词个人简介发送至 editordialog@pu.ac.in；论文须为原创且未发表，不接受同时投稿。作者须提交原创性声明。
", "topics": [ "真相、虚构与叙事", "见证、作证与生命书写", "记忆研究与争议历史", "历史小说与后设历史虚构", "档案、文献与记忆政治", "虚假信息、后真相文化与数字媒体", "AI 生成文本、作者身份与真实性", "叙事可靠性与不可靠叙事", "文学、伦理与真理哲学", "翻译、阐释与认知中介", "文化记忆与集体遗忘", "创伤、沉默与再现的限度", "纪实文学与纪实美学", "阅读、阐释与知识政治" ], "guestEditor": [], "submission": "学术论文 4000–6000 词（12–20 页），须用 12 号 Times New Roman、按 MLA 手册（第9版）排版；请于 2026 年 10 月 15 日前将论文连同约 250 词摘要与 50 词个人简介发送至 editordialog@pu.ac.in；须为原创未发表，不接受一稿多投。另欢迎原创诗歌、译文、摄影随笔与书评（书评限 1200 词、访谈 4000–4500 词）。", "submissionUrl": "mailto:editordialog@pu.ac.in", "website": "http://dialog.puchd.ac.in", "englishOriginal": "Call for Papers — dialog Special Issue No. 48\nTheme: Truth in Question: Literature, Narrative, and the Politics of Knowing\n\ndialog, a fully peer-reviewed, bi-annual international journal of the Department of English and Cultural Studies, Panjab University, Chandigarh, invites submissions for its forthcoming special issue (No. 48) on \"Truth in Question: Literature, Narrative, and the Politics of Knowing.\" The journal provides a forum for interdisciplinary research engaging literature, culture, and critical theory.\n\nAcross the contemporary world, questions of truth have acquired renewed urgency. The proliferation of misinformation, AI-generated texts, algorithmically mediated knowledge, contested histories, conspiracy cultures, and competing narratives has transformed the conditions under which truth is produced, circulated, and interpreted. Rather than signalling the disappearance of truth, these developments compel us to reconsider how literature participates in the making, questioning, and ethical negotiation of truth.\n\nThis special issue draws inspiration from philosophical and literary traditions that understand truth not as a fixed possession but as a contested process of interpretation. Paul Ricœur's conception of narrative as a mode of configuring experience, Michel Foucault's analyses of \"regimes of truth,\" Jacques Derrida's reflections on testimony and archive, and Hannah Arendt's distinction between factual truth and political opinion collectively remind us that truth is inseparable from questions of language, power, memory, and representation. Literature occupies a distinctive place within these debates. Fiction may reveal forms of historical, emotional, and ethical truth that exceed empirical verification, while memoirs, testimonies, documentary narratives, and archival fictions continually negotiate the fragile boundaries between fact and imagination.\n\nThe journal welcomes papers on, but not limited to, the following areas: Truth, fiction, and narrative; Testimony, witnessing, and life writing; Memory studies and contested histories; Historical fiction and historiographic metafiction; Archives, documents, and the politics of memory; Misinformation, post-truth cultures, and digital media; AI-generated texts, authorship, and authenticity; Narrative reliability and unreliable narration; Literature, ethics, and the philosophy of truth; Translation, interpretation, and epistemic mediation; Cultural memory and collective forgetting; Trauma, silence, and the limits of representation; Documentary literature and documentary aesthetics; Reading, interpretation, and the politics of knowledge. The issue also invites original poems, translations, photo essays and book reviews.\n\nImportant points to remember: Word limit for scholarly articles is 4,000–6,000 words (minimum 12 and maximum 20 pages). Papers must be in 12-point Times New Roman and formatted according to the MLA Handbook (9th edition). Authors should submit their papers to editordialog@pu.ac.in on or before 15 October 2026, along with an abstract (approximately 250 words) and a 50-word biographical note. Papers must be original and unpublished. Simultaneous submissions are not permitted. Authors must provide an undertaking that the submitted manuscript is original. Word limit for Book Reviews is 1,200 words and for Interviews is 4,000–4,500 words. Website: http://dialog.puchd.ac.in", "englishHtml": "Call for Papers — dialog Special Issue No. 48
Theme: Truth in Question: Literature, Narrative, and the Politics of Knowing
dialog, a fully peer-reviewed, bi-annual international journal of the Department of English and Cultural Studies, Panjab University, Chandigarh, invites submissions for its forthcoming special issue (No. 48) on \"Truth in Question: Literature, Narrative, and the Politics of Knowing.\" The journal provides a forum for interdisciplinary research engaging literature, culture, and critical theory.
Across the contemporary world, questions of truth have acquired renewed urgency. The proliferation of misinformation, AI-generated texts, algorithmically mediated knowledge, contested histories, conspiracy cultures, and competing narratives has transformed the conditions under which truth is produced, circulated, and interpreted. Rather than signalling the disappearance of truth, these developments compel us to reconsider how literature participates in the making, questioning, and ethical negotiation of truth.
This special issue draws inspiration from philosophical and literary traditions that understand truth not as a fixed possession but as a contested process of interpretation. Paul Ricœur's conception of narrative as a mode of configuring experience, Michel Foucault's analyses of \"regimes of truth,\" Jacques Derrida's reflections on testimony and archive, and Hannah Arendt's distinction between factual truth and political opinion collectively remind us that truth is inseparable from questions of language, power, memory, and representation. Literature occupies a distinctive place within these debates. Fiction may reveal forms of historical, emotional, and ethical truth that exceed empirical verification, while memoirs, testimonies, documentary narratives, and archival fictions continually negotiate the fragile boundaries between fact and imagination.
The journal welcomes papers on, but not limited to, the following areas: Truth, fiction, and narrative; Testimony, witnessing, and life writing; Memory studies and contested histories; Historical fiction and historiographic metafiction; Archives, documents, and the politics of memory; Misinformation, post-truth cultures, and digital media; AI-generated texts, authorship, and authenticity; Narrative reliability and unreliable narration; Literature, ethics, and the philosophy of truth; Translation, interpretation, and epistemic mediation; Cultural memory and collective forgetting; Trauma, silence, and the limits of representation; Documentary literature and documentary aesthetics; Reading, interpretation, and the politics of knowledge. The issue also invites original poems, translations, photo essays and book reviews.
Important points to remember: Word limit for scholarly articles is 4,000–6,000 words (minimum 12 and maximum 20 pages). Papers must be in 12-point Times New Roman and formatted according to the MLA Handbook (9th edition). Authors should submit their papers to editordialog@pu.ac.in on or before 15 October 2026, along with an abstract (approximately 250 words) and a 50-word biographical note. Papers must be original and unpublished. Simultaneous submissions are not permitted. Authors must provide an undertaking that the submitted manuscript is original. Word limit for Book Reviews is 1,200 words and for Interviews is 4,000–4,500 words. Website: http://dialog.puchd.ac.in
", "showEnglish": true, "published": true }, { "id": "cmsa3i8gobmp1", "title": "《Sphaira》艺术与人文杂志第2卷征稿", "journalName": "《Sphaira: Journal of Arts and Humanities》", "journalType": "普刊", "region": "国外", "host": "孟加拉国 Netrokona University 艺术与人文学院", "category": "文学 / 语言学 / 人文", "issn": "", "issue": "第2卷（双盲同行评审，2026年12月出版）", "deadline": "2026-09-14T16:00:00.000Z", "plannedPublish": "2026-11-30T16:00:00.000Z", "cover": "", "summary": "", "description": "孟加拉国 Netrokona University 艺术与人文学院即将出版其双盲同行评审学术期刊《Sphaira: Journal of Arts and Humanities》第2卷（2026年12月）。现面向以英文撰写、关涉当代议题的学术论文征稿，学科范围涵盖文学、语言学、语言教学、教育、美术、表演研究、民俗研究、文化研究、文学理论与历史考古等。\n\n稿件规范：摘要约 250 词，并附 5 个关键词；正文 4000–7000 词（不含参考文献与问卷/附录）；采用 APA 第7版格式；Word 文档，12 号 Times New Roman，两端对齐、常规页边距、双倍行距。作者须知：所投稿件须为原创、此前未发表，且不得同时投往他处；每位作者限投一篇文章；每篇文章须通过期刊查重软件（查重率 ≤20%、AI 生成内容 ≤20%）；作者须对投稿内容全权负责；匿名稿件须与封面页分开。\n\n投稿方式：① 同时提交电子版与纸质版；② 截止日期 2026 年 9 月 15 日；③ 电子投稿发送至 sphaira.netrokona@gmail.com，邮件主题请注明 \"submission for Sphaira, Vol. 2\"；④ 两份匿名纸质稿连同投稿信寄至：Prof. Dr. Anichha Parvin（主编）、Netrokona University 艺术与人文学院院长，孟加拉国 Netrokona-2400。封面页须包含：作者姓名与单位（合著不超过两位，并注明通讯作者）、联系电话与邮箱、文章标题、250 词摘要、5 个关键词及 100 词个人简介。如有疑问，电邮 sphaira.netrokona@gmail.com。", "descriptionHtml": "孟加拉国 Netrokona University 艺术与人文学院即将出版其双盲同行评审学术期刊《Sphaira: Journal of Arts and Humanities》第2卷（2026年12月）。现面向以英文撰写、关涉当代议题的学术论文征稿，学科范围涵盖文学、语言学、语言教学、教育、美术、表演研究、民俗研究、文化研究、文学理论与历史考古等。
稿件规范：摘要约 250 词，并附 5 个关键词；正文 4000–7000 词（不含参考文献与问卷/附录）；采用 APA 第7版格式；Word 文档，12 号 Times New Roman，两端对齐、常规页边距、双倍行距。作者须知：所投稿件须为原创、此前未发表，且不得同时投往他处；每位作者限投一篇文章；每篇文章须通过期刊查重软件（查重率 ≤20%、AI 生成内容 ≤20%）；作者须对投稿内容全权负责；匿名稿件须与封面页分开。
投稿方式：① 同时提交电子版与纸质版；② 截止日期 2026 年 9 月 15 日；③ 电子投稿发送至 sphaira.netrokona@gmail.com，邮件主题请注明 \"submission for Sphaira, Vol. 2\"；④ 两份匿名纸质稿连同投稿信寄至：Prof. Dr. Anichha Parvin（主编）、Netrokona University 艺术与人文学院院长，孟加拉国 Netrokona-2400。封面页须包含：作者姓名与单位（合著不超过两位，并注明通讯作者）、联系电话与邮箱、文章标题、250 词摘要、5 个关键词及 100 词个人简介。如有疑问，电邮 sphaira.netrokona@gmail.com。
", "topics": [ "文学", "语言学与语言教学", "教育", "美术", "表演研究", "民俗研究", "文化研究", "文学理论", "历史与考古" ], "guestEditor": [], "submission": "摘要约 250 词并附 5 个关键词；正文 4000–7000 词（不含参考文献与附录）；采用 APA（第7版）格式；须原创、未曾发表且不得一稿多投；查重率 ≤20%、AI 生成内容 ≤20%；一位作者限投一篇文章；2026 年 9 月 15 日前同时提交电子版与纸质版至 sphaira.netrokona@gmail.com（邮件主题注明 \"submission for Sphaira, Vol. 2\"），纸质版两份匿名稿寄至主编 Prof. Dr. Anichha Parvin（孟加拉国 Netrokona-2400）。", "submissionUrl": "mailto:sphaira.netrokona@gmail.com", "website": "", "englishOriginal": "Sphaira: Journal of Arts and Humanities\n\nThe Faculty of Arts and Humanities at Netrokona University, Bangladesh is delighted to inform that it is going to publish its double-blind peer-reviewed academic journal Sphaira: Journal of Arts and Humanities, volume 2, in December, 2026. Scholarly articles in English addressing contemporary issues within the fields of literature, linguistics, language teaching, education, fine arts, performance studies, folklore studies, cultural studies, literary theory, and history and archeology are called for publication in its second volume.\n\nManuscript development guidelines: Abstract: approximately 250 words followed by 5 keywords. Article length: 4000 – 7000 words (excluding references and questionnaire/appendix). Style-sheet: APA (7th edition). Paper format: MS Word, Times New Roman, 12-font, justified, normal margin and double-spaced.\n\nNotes for authors: Articles submitted must be original, previously unpublished and must not be submitted elsewhere. An author can submit only one article. Every article must pass through the journal's plagiarism-checking software (plagiarism-20% maximum, AI-20% maximum). There is no restriction about theme, and authors are encouraged to explore all the possibilities within the fields of research mentioned above. Authors are fully responsible for their submitted articles. Submitted manuscript must be anonymous and separate from the cover page.\n\nPlease provide the following information on a cover page: a) Author's full name and affiliation (no more than two authors for a joint article mentioning the corresponding author); b) Contact phone number and email address; c) Title of the article followed by the 250-word abstract, five keywords and 100-word bio.\n\nSubmission: a) both soft copy and hard copy; b) Deadline: September 15, 2026; c) Electronic submission to: sphaira.netrokona@gmail.com (Please write \"submission for Sphaira, Vol. 2\" in the subject line of your email); d) Two sets of anonymous hard copy, supported with the cover letter, must reach the following address: Prof. Dr. Anichha Parvin, Chief Editor, Sphaira: Journal of Arts and Humanities (Vol. 2) & Dean, Faculty of Arts and Humanities, Netrokona University, Netrokona-2400, Bangladesh. For any queries, please email: sphaira.netrokona@gmail.com.", "englishHtml": "Sphaira: Journal of Arts and Humanities
The Faculty of Arts and Humanities at Netrokona University, Bangladesh is delighted to inform that it is going to publish its double-blind peer-reviewed academic journal Sphaira: Journal of Arts and Humanities, volume 2, in December, 2026. Scholarly articles in English addressing contemporary issues within the fields of literature, linguistics, language teaching, education, fine arts, performance studies, folklore studies, cultural studies, literary theory, and history and archeology are called for publication in its second volume.
Manuscript development guidelines: Abstract: approximately 250 words followed by 5 keywords. Article length: 4000 – 7000 words (excluding references and questionnaire/appendix). Style-sheet: APA (7th edition). Paper format: MS Word, Times New Roman, 12-font, justified, normal margin and double-spaced.
Notes for authors: Articles submitted must be original, previously unpublished and must not be submitted elsewhere. An author can submit only one article. Every article must pass through the journal's plagiarism-checking software (plagiarism-20% maximum, AI-20% maximum). There is no restriction about theme, and authors are encouraged to explore all the possibilities within the fields of research mentioned above. Authors are fully responsible for their submitted articles. Submitted manuscript must be anonymous and separate from the cover page.
Please provide the following information on a cover page: a) Author's full name and affiliation (no more than two authors for a joint article mentioning the corresponding author); b) Contact phone number and email address; c) Title of the article followed by the 250-word abstract, five keywords and 100-word bio.
Submission: a) both soft copy and hard copy; b) Deadline: September 15, 2026; c) Electronic submission to: sphaira.netrokona@gmail.com (Please write \"submission for Sphaira, Vol. 2\" in the subject line of your email); d) Two sets of anonymous hard copy, supported with the cover letter, must reach the following address: Prof. Dr. Anichha Parvin, Chief Editor, Sphaira: Journal of Arts and Humanities (Vol. 2) & Dean, Faculty of Arts and Humanities, Netrokona University, Netrokona-2400, Bangladesh. For any queries, please email: sphaira.netrokona@gmail.com.
", "showEnglish": true, "published": true } ]